电影讲述自幼受父亲影响，午夜网立志要当一名消防员的谢小星，午夜网在即将退役之际得到消防特勤中队“海蛟队”的调令，成为了一名真正的消防英雄。在海蛟队他遇到了生死与共的战友以及魔鬼教官汪灏泽，并意外揭开了汪灏泽和父亲之间的前尘往事。与此同时谢小星母亲的焦化厂因为不起眼的隐患使得危险骤然降临，小星与队友们赶赴，对困在毒气车间的工人们展开艰苦的救援。被困群众陆续被救出，险情却不断升级，“海蛟队”陷入生死绝境。谢小星主动请缨，请求执行极度危险的救援任务，最终上演惊心动魄的火海营救。
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :在河北省张家口市的国家级贫困村玉狗梁，这里年轻人都外出打工谋生，村里只剩下100来位留守老人和妇女，大多身患疾病。影片讲述了在校老师卢文正响应国家号召到玉狗梁村担任书记，带领村内病弱的老人和妇女练起了瑜伽，提高村民身体素质，号召各家各户开始种植藜麦，虽然过程中发生了很多啼笑皆非的故事，但玉狗梁村最终摘下了贫困帽子，成为了远近闻名的“中国瑜伽第一村”。
回复 :热纳是一名地区检察官，在上任市长的离职典礼中，她被选为下任市长。此时，整座城市被一名杀人狂闹地人心惶惶。不久，热纳发现自己认识的人一个接一个地死去，自己的私生活也被莫名其妙地拍摄下来。在寻找真相的过程中，她的情人、竞争对手和下属都被牵涉进来。当谜团一个接一个地出现时，热纳该如何找出真正的幕后凶手呢？
