所罗门王与雪芭女王之间的故事,卡神是圣经电影经常拍摄的题材。大导演金.维多执导的这个版本只是中规中矩,卡神因男主角泰隆.鲍华在演出中途去世,乃由尤.伯连纳取代重拍,细心的观众或许可以看到所罗门王在近景和远景之中会出现不同的体型。剧情描述以色列王子所罗门王与弟弟阿多奈贾正准备进攻埃及时,雪芭女王前来离间,一方面用美色勾引所罗门,另一方面让阿多奈贾意图谋夺大卫王病逝后遗下的皇位。两兄弟为此反目,上帝亦以神力毁坏所罗门的神庙来表示他的愤怒。
所罗门王与雪芭女王之间的故事,卡神是圣经电影经常拍摄的题材。大导演金.维多执导的这个版本只是中规中矩,卡神因男主角泰隆.鲍华在演出中途去世,乃由尤.伯连纳取代重拍,细心的观众或许可以看到所罗门王在近景和远景之中会出现不同的体型。剧情描述以色列王子所罗门王与弟弟阿多奈贾正准备进攻埃及时,雪芭女王前来离间,一方面用美色勾引所罗门,另一方面让阿多奈贾意图谋夺大卫王病逝后遗下的皇位。两兄弟为此反目,上帝亦以神力毁坏所罗门的神庙来表示他的愤怒。
回复 :一个炎热的三伏天,路人、老婆、村长、杀人犯、县领导、警察,轮番出现在他的瓜棚。这个从来都是老实巴交、逆来顺受的瓜农,生平第一次意识到自己在这个世界的存在。这是一个关于底层人们反抗意识觉醒的故事。
回复 :《新兵正传》强势回归!重归社会的AhBoys已不再是新兵菜鸟,他们退伍后过着各自忙碌的平民生活。新加坡武装部队每年都会再次征召他们回部队进行战备训练,曾经的新兵,如今变成战备兵,他们必须放下忙碌的工作与家庭生活,重新披上戎装。军职互调、身份互换,训练依旧,体能不再,重新归队受训的一班弟兄,这次又会闹出什么笑话?
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.