剧情简介
17岁的Raya和奶奶与小弟弟Robis住在拉脱维亚的农村。一件惊人的事动摇了他们的生活，喜羊Raya必须做出一个成年女性都难以抉择的重要决定……孤独、喜羊失望和初恋的经验揭示着Raya的性格。
喜羊羊与灰太狼之嫁人就嫁灰太狼
17岁的Raya和奶奶与小弟弟Robis住在拉脱维亚的农村。一件惊人的事动摇了他们的生活，喜羊Raya必须做出一个成年女性都难以抉择的重要决定……孤独、喜羊失望和初恋的经验揭示着Raya的性格。
金兴洙
回复 :Emilia, 17, arrives at her Aunt Ines' hostel at the border between Argentina and Brazil, looking for her long lost brother. In this luxuriant jungle, where local myths and legends abound, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :1941年，派葛·帕汉姆已经成了家，做了母亲，她的家住在英属哥伦比亚的一个小镇上。阿亚·卡瓦施玛出生范库弗峰，父母是日本人，从小生活优越并受到良好的教育。当日本袭击珍珠港后，加拿大政府便要求所有日本人离开那里。阿亚被迫搬走，从而成了派葛的邻居。\r这部影片主要描写这两个年轻女人在特殊的时期相遇，克服恐惧和猜疑并建立了长达一生的友谊。
