中秋节前夕，次被都市白领刘薇带着九个月大的儿子小宝回姐姐刘琴家过节。因公司临时有事，次被刘薇返回公司，将小宝交给刘琴的孩子十岁的灿灿和和九岁的天天照顾。刘琴出门办事，灿灿和天天在家看护小宝，期间，因两人疏忽，导致小宝丢失。两人四处寻找，发现两个可疑人员，一个收破烂的中年男人，一个拎着旅行袋的年轻女人。为了救出小宝，姐姐跟上那个收破烂的中年那人，弟弟跟上了拎着旅行袋的年轻女人，在热心群众协助下，成功的帮助人民警察抓住了人贩子，解救了被拐儿童。正当众人欣喜的时候，灿灿和天天突然发现被解救的孩子不是小宝，众人顿时异常惊愕！小宝到底在哪里？是否还有其他的人贩子同伙？一个个谜团接踵而至，一个潜藏着群众中的幕后老贼逐渐浮出水面。刑警队长杨刚带领众干警与犯罪分子斗智斗勇，一场光明与黑暗的斗争焦点集中到丢失的小宝身上。小宝到底在哪里？《亲爱的小孩》为您讲述爱与罪恶的斗争。
回复 :民国初期一个深夜，杨家当铺二掌柜杨天翔莫名其妙被一伙地痞挟持并关押于私人监狱。一年多后，杨天翔机智越狱，发现杨家已因连遭劫难一无所有，而大舅子与二叔却发了横财。满腹狐疑之际，二叔父子的怪异举动与一地痞的供词，使杨天翔深信二叔父子就是制造自己一家不幸的幕后黑手，把二叔父子送进了监狱。众叛亲离后，他才知道自己掉进了一个精心策划的局。
黛安娜罗丝
回复 :巴黎一间默默无闻的小酒馆里，一位忧郁而孤独的钢琴伴奏师查理·科勒（夏尔·阿兹纳夫 Charles Aznavour饰）。他的生活简单而又单调。热情的酒馆女侍莉娜（玛丽·杜布瓦 Marie Dubois饰）为查理的才华所倾倒，爱上了他。原来，查理曾经是显赫一时的著名钢琴师，在妻子自杀身亡后隐姓埋名于此。莉娜鼓励他重新找回自己走上舞台。然而一日，多年未见的弟弟奇科·萨洛扬（阿尔伯特·雷米 Albert Rémy饰）因躲避黑道仇家的追杀而闯进了他的生活中。查理帮助弟弟逃脱了仇家的追杀，却意外卷入这场残酷的生死逃亡之中。幸运之神并没有眷顾与查理生死与共的莉娜，在激战中，莲娜不幸中弹身亡。查理再度回到了往昔的小酒馆中，一切又回归起始，却物是人非。由法国电影大师弗朗索瓦·特吕弗执导的黑白影片《射杀钢琴师》，根据美国作家大卫·古迪斯的小说改编而成。
勇者无畏乐队
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
