欧美亚洲福利精品二区
地区:西班牙
  类型:加拿大
  时间:2025-07-19 03:22:55
剧情简介

号称是美国七十年代最非著名的一部科幻电影杰作,欧美导演索尔·巴斯是设计师,欧美还曾两次获过奥斯卡奖,但不知为何这部经典的心理科幻片至今都没出DVD。Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas.Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants.索尔·巴斯,美国动画片绘制家、美工师、导演,1920年5月8日生于纽约市,少年时曾经在布鲁克林学院学习绘画,毕业后从事过十年自由职业设计师的职业,1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时,猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物,这些动画人物的形态动作巧妙地提示了影片的主题,反映了影片的基调,从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分,这种大胆的创新丰富了电影的表现形式,广受观众们的喜爱,其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外,他还监制和导演了很多电视广告片、动画片片和纪录片,如《敏锐的眼光》(1963)、《第四相》(1974)等。

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明星主演
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最新评论(316+)

仓本裕基

发表于7分钟前

回复 :Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.


丹妮米洛

发表于8分钟前

回复 :两千年前的中国,秦王暴政,诸侯起义。血雨腥风的战场之外,散落着建立在密林深处的城邦。项羽(吴彦祖 饰)和刘邦(刘烨 饰),两个反对秦暴政的起义领袖,带领各自的势力,为自由与安乐一路厮杀,同时也在向那座象征着无上权力与无限财富的王朝核心——秦王宫步步逼近。历史的过程总是曲折而模糊的,结果却只有一个:刚烈而冲动的霸王项羽在“鸿门宴”上错失了杀掉刘邦的机会,只能将一腔热血洒向乌江,与自己深爱的女人虞姬(何杜娟 饰)含泪诀别。刘邦和他的吕后(秦岚 饰),他的谋臣韩信(张震 饰)、张良(奇道 饰)、萧何(沙溢 饰)们,则忍辱抗击到最后,成为了辉煌宫殿最终的主人。在那座奢华的大房子里,君临天下的刘邦仿佛早已忘记了和曾经的盟友并肩战斗的岁月,甚至渐渐开始对身边的兄弟们满腹狐疑。另一段杀戮,由此开始在森森耸立的帝国高墙内,无声蔓延……


金宇宙

发表于2分钟前

回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.


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