剧情简介
影片讲述了“梦瑜伽”大师李士豪（赵文瑄 饰）突发脑梗，亚洲页生命垂危之际，女儿水晶（王佳佳 饰）为唤醒父亲，踏上了一场跨越时空的“探梦”之旅。
亚洲一页
影片讲述了“梦瑜伽”大师李士豪（赵文瑄 饰）突发脑梗，亚洲页生命垂危之际，女儿水晶（王佳佳 饰）为唤醒父亲，踏上了一场跨越时空的“探梦”之旅。
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
回复 :老实木讷的宅男级IT上班族大雄（何润东 饰）最近几天倒霉到极点，现实被富二代少女小爱（景甜 饰）的车门撞飞，而后被当作吃霸王餐的落跑者，没钱吃饭、工作被炒、桌球挨屠，总之可以想见的倒霉事他全部中招。不过他因此和小爱相识，还莫名其妙地成为了对方的奴隶。在小爱的张罗下，大雄找到一份新工作，却在上班时发现老板Emma竟和小爱长得一模一样。他的生活变得愈加有趣起来……本片根据同名网络小说改编，并荣获第六届北京大学生电影节最佳处女作奖、第六届印度国际儿童电影节最佳导演奖、首届阿根廷国际儿童及青少年电影节获“综观全景”（故事片）类最佳儿童故事片银风筝奖。
回复 :一位美国尼泊尔裔的印度教穆斯林混血男孩要绕道前往加德满都，寻找他认为已加入叙利亚战争的父亲，但他与当地一名唐人的道德战争观念不同却无意中杀死了他的祖父，这使他认识了他真实的生活面貌，并在此过程中，他重新与自己忘记的喜马拉雅民族的根源文化和传统联系起来。
