金虎（罗维 饰）和雪里红（李丽华 饰）本是一对非常恩爱的情侣，天堂不幸的是，天堂雪里红遭到了马啸天（王元龙 饰）的玷污，迫于舆论压力，雪里红不得不离开了深爱的金虎，嫁给了自己的仇人马啸天。之后，小荷花（葛兰 饰）爱上了正直勇敢的金虎，看到自己曾经的爱人即将被人夺走，雪里红被嫉妒冲昏了头脑。她游说小荷花的父亲将她嫁进大地主家做妾，但是地主的妻子并不同意这门婚事，雪里红只能作罢，眼睁睁的看着金虎和小荷花结为夫妻。恨毒了小荷花的雪里红又和马啸天联手想要陷害金虎，甚至准备了毒酒想要取金虎的性命。
喜多郎
回复 :丁叮（应采儿 饰）从美国回来后到了北京戏剧学院读书，一次偶然的机会她认识了阿当（古天乐 饰），这名大帅哥是出了名的“花心大萝卜”，他却对性格爽朗，外表清秀的丁叮。他遇见丁叮的时候正在甩掉一堆追求他的女生。两人在匆忙间一见钟情，彼此倾心。不久，阿当便向丁叮表达了爱意，两人顺利坠入爱河，共享了许多甜蜜的热恋时光。可是好景不长，阿当患上了失忆症，把丁叮当作了陌路人。丁叮顿时晴天霹雳，但面对深爱的阿当，她不懈努力，要与阿当重新开始。丁叮以为两人能够从此幸福的走下去，但阿当的失忆症状总是不时发作，一次次忘掉丁叮……
姚小龙
回复 :其貌不扬的博拉一共骗娶了12个老婆,目的是为了她们的财产.虽其貌不扬,可是很会温柔,也很机敏.他骗取钱财的目的是为了出国.一次,在火车上,他遇到了一个漂亮女人,于是,他又想出手.可是,他其中一个老婆的叔叔,警方,一个女骗子等等诸多人马出现了.....
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
