在电视台担任导演助理的三岛彩乃（板野友美 饰），春暖某晚接到外出采访死亡事故的通知。他独自带着设备赶赴事发地点，春暖见证了大学生城户勇太郎惨烈而诡异的死状。事后彩乃对该事件颇为在意，而从电视台同侪口中又得知青年的尸体颇有疑点。在此之后，彩乃见到了死者的社团同学岩登和世（入来茉里 饰），对方则声称勇太郎遭到窥视之眸的诅咒才命丧黄泉的。原来勇太郎和和世曾前往某偏远山村试胆，在那里误入某个祠堂，结果惹上了无处不在的窥视之眸，从此厄运缠身。为了一探究竟，彩乃和男友前往当地一探究竟，而他们离恐怖的泥潭越来越近……
钟嘉欣
回复 :Pretty and popular, seventeen-year-old Brooke Emerson is the envy of her classmates--and even some of her closest friends. But while she seems to have it all, Brooke has never felt so lost. Ever since she sustained a head injury during a cheerleading stunt the previous year, she's suffered from a disorder that causes her to fly into uncontrollable, sometimes violent rages. As hard as she tries to keep it together, she finds herself in danger of jeopardizing her seemingly perfect life. It isn't until Brooke meets Jake, a handsome and charismatic stranger, that she feels like she's found someone who not only understands her, but accepts her for who she is. As tempting as it is to get swept up in the romance, she can't help but feel like something in their relationship isn't quite right. When her best friend is brutally murdered, Brooke has no choice but to depend on her new love...especially because she's worried that she might be the killer.
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
回复 :Technology brings us closer. Or perhaps it brings strangers, a little too close. But how much can you really trust someone? With a new ride share service, you never know who will be getting in a car with. Or if you'll ever get out.
