一个名叫卡尔·拉马雷维奇的奇怪的人,亚瑟梅在发现通过心灵感应使死亡变得更强大的方法后不久就去世了。在他被安葬在地下室的当晚,亚瑟梅朱莉将在那里过夜,作为入会仪式的一部分,由另外两个女孩监督。地下室变成了...
一个名叫卡尔·拉马雷维奇的奇怪的人,亚瑟梅在发现通过心灵感应使死亡变得更强大的方法后不久就去世了。在他被安葬在地下室的当晚,亚瑟梅朱莉将在那里过夜,作为入会仪式的一部分,由另外两个女孩监督。地下室变成了...
回复 :患有精神疾病的单身母亲爱丽丝抚养着三个女儿,饱受疾病折磨的母亲时常与女儿们发生冲突。一日,母亲宣布将房子出售,全家一起去南美旅行六个月,这个决定受到了女儿们的反对。家庭的冲突愈发紧张,母女们都渴望和解的降临。
回复 :1989年,在纽约,电影人珍妮•利文斯顿以一部《巴黎在燃烧》记录了地下舞场的奢糜场景。影片是一部夜店时尚大片,也是对那些因勇于追求自我而被逐出家门的同性恋、跨性别者的一份家一般的慰藉。虽然笼罩在艾滋病与偏见的重重阴影之下,《巴黎在燃烧》依旧为我们带来了一场炫魅与激情,梦想与渴望的盛宴。它更是引领着迷失的人们不屈畏惧而继续前行、不屈审视而继续闪耀、不屈于世俗而勇做自我。
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...