「母亲教我说话,品里为何我得沉默?」祖母病故,品里住宅电梯故障失修,抬棺材到街上弄得众人狼狈万分,这就是黑人少女哈比的日常缩影。新当选区长的白人医生邻居,「仗义」收留叙利亚难民,却无视聚居多年黑人族群苦况,狠心推动强迫迁拆令,使哈比不得不在本该普世欢腾的圣诞节走上抗争之路。压迫愈趋无理,居民怒火可会一发不可收拾?赖卓利继戛纳得奖作《孤城泪》,再次深探法国社会阶级和种族冲突根源:不患寡而患不均,不患贫而患不安,信焉。
「母亲教我说话,品里为何我得沉默?」祖母病故,品里住宅电梯故障失修,抬棺材到街上弄得众人狼狈万分,这就是黑人少女哈比的日常缩影。新当选区长的白人医生邻居,「仗义」收留叙利亚难民,却无视聚居多年黑人族群苦况,狠心推动强迫迁拆令,使哈比不得不在本该普世欢腾的圣诞节走上抗争之路。压迫愈趋无理,居民怒火可会一发不可收拾?赖卓利继戛纳得奖作《孤城泪》,再次深探法国社会阶级和种族冲突根源:不患寡而患不均,不患贫而患不安,信焉。
回复 :Here's a modern-day film noir in which you're never sure what's real and what isn't real. There is a possibility you may get tired of guessing and give up on this film 3/4ths of the way through, as I almost did but it worth finishing. It also was better the second time aroundThe problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.
回复 :春名礼子(中谷美纪 Miki Nakatani 饰)是曾获芥川文学奖的女作家,由于遇上创作瓶颈,灵感枯竭,身体状况开始变差。责任编辑木岛(西岛秀俊 Hidetoshi Nishijima 饰)劝说礼子搬到郊外一栋古旧的洋房里居住,在这栋为森林和沼泽所包围着的房子对面是一幢废墟般的空置房屋。一天晚上,礼子看到一个男人把布包裹着的不明物体搬进房 子里。后来,她得知对方是名叫吉冈诚(丰川悦司 Etsushi Toyokawa 饰)的大学教授,那栋空房子是相模大学的研究所。那是一具从沼泽里取出来的千年女性干尸。 但礼子噩梦就此开始,研究所的秘密、房间的古怪、吉冈的行径以及之前的身体不适等各种怪事都与干尸扯上关系。
回复 :当马克思从伤病中恢复后,他做了一个夜间保安,他也开始经常能看到一个神秘的女子出现在商店的镜子中,是幻觉还是...于镜子入面,亡灵仍然「活着」,无时无刻等待着复仇的机会……在一次车祸中丧失未婚妻的麦斯,为帮父亲而暂时于重开的五月天百货做夜间保安,自此他便常常看见「异像」。麦斯上班不久便时常遇上怪事—尤其当他在夜间巡逻时,从旧五月天百货搬来的镜子内里竟常常看见一个女子模样。与此同时,新百货公司开幕前先后有多名职员离奇失踪,当中竟牵涉到百货公司内的三名高层人员,麦斯却无法控制地被一股无形力量牵引着,逐步逐步为镜中死去的女子展开复仇大计......