影片开始是纪录片风格的打斗场面：午后一群蝎子跟老鼠对抗；接着呈现出游击队跟主教军的斗争；贯串全片多是违反一般常规的视觉形象，午后而自由的程度也大得惊人 ：发怒的蝎子、维苏威火山喷出的熔岩和带有纪录性的场面；极端超现实场面、标新立异的场面交替出现：如一头母牛躺在一个年轻女孩的床上；基督变成了性虐待狂患者；作父亲的毫无感觉地开枪射杀自己的小孩，当仆人房舍起火，他却置之不理，甚至一辆牛车穿入房间，他也视若无睹；爱人们朝夕渴望相聚，但见面后却感到无所适从，只有进行集体损毁，将犁耙、长颈鹿、圣诞树焚烧；两个主教从楼上被仍了下来。更有甚者，一对爱人的眼睛被挤出，手被咬掉，在一条狭窄街道的碎石上翻滚着，同时可以听见艾吕声音唱到“爱情，爱情，爱情呀！”一种近乎神秘的爱情概念作为一种可以改变一切的，可以为人们赎罪的东西……
回复 :库珀（瑞茜·威瑟斯彭 Reese Witherspoon 饰）是一名拥有着超强正义感的火爆女警，在上司的安排下，她接受了一个艰巨的任务，那就是护送一位名为丹尼艾拉（索菲娅·维加拉 Sofia Vergara 饰）的金发美女前往达拉斯，在那里，安妮艾拉将会成为指证毒枭的重要证人。让库珀没有想到的是，丹尼艾拉的个性和自己一样一点就着，一山容不得二虎，两个女人之间从见面一开始就充满了浓浓的火药味，这将注定不会是一段太平的旅途。更糟糕的是，库珀一行人刚刚出发没多久就遭到了黑帮分子的伏击，丹尼艾拉的丈夫里瓦先生（文森特·拉斯卡 Vincent Laresca 饰）更是在交火之中不幸丧生。作为仅剩的幸存者，库珀和丹尼艾拉该如何抵达目的地，完成她们的使命呢？
回复 :影片讲述了特勤陈子默在执行任务的时候发现自己的恋人邓潇潇的身份十分可疑，就在他要调查清楚此事的时候意外频发，恋人的意外死亡，朋友的出卖，同事的怀疑让他身陷囹圄。陈子默并不知道，所有的意外都是为了他的特殊身份而编制的一个大网。陈子默背负各种压力成为了一位孤胆英雄只身对抗幕后的黑手。
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
