号视我们可以决定生命中我们遇见谁但是选择与我们共度一生的人是由命运决定的小时候的西努与姖努长大后的阿维纳什与普芮雅究竟是有缘无份还是有缘有份一切尽在《缘份》
号视我们可以决定生命中我们遇见谁但是选择与我们共度一生的人是由命运决定的小时候的西努与姖努长大后的阿维纳什与普芮雅究竟是有缘无份还是有缘有份一切尽在《缘份》
回复 :一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目,他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰,警铃声响将被抵销……班被债主迫得走投无路,决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目,然后溜进隔壁的银行偷窃,利用音波互相干扰来抵销警铃声响。怎料波折重重,这群笨贼屡次失手,国际刑警突然出现,死对头又走来搞破坏……
回复 :一直作為米路斯.科曼劇本鐵三角(另一位是帕培錫,也是本片編劇之一)成員的艾雲.巴薩,當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢,生活狀況大不同,你有伴侶我有家庭,然而都有說不出的不明朗,唯有以酒與音樂代替口水。全片推展不問目的,只在剎那間的意圖,行行企企比起科曼更義無反顧,卻有生活淡如流水的詩意和繆思,叫觀眾聯想到二十年後的伊力.盧馬。巴薩鍾愛音樂的程度不下於文字和電影,古典音樂與民間音樂於全片迴轉迴盪,難怪成了奇斯洛夫斯基十大心愛電影之一。康城影展青年評審團獎,美國全國影評人協會特別獎這部1966年的珍品,是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學,舊同學是個窮音樂教師,有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡,變出風趣復罕見的旋律,一部憂鬱的喜劇,或灰色喜劇。- Dave Kehr, Chicago ReaderIvan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.Special Award, National Society of Film Critics AwardsIts simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.- Elliott Stein, Village VoiceSource: HKIFF Czech New Wave 2006
回复 :唐门凭秘宝洞天仪洞察天机,提前预知恶人名录,并在其作恶之前诛杀,护卫天下太平。可唐门掌门唐无烟之名,竟也出现于洞天仪之上,唐无烟被迫逃走,遇到善良小贼楚晨和小米辣师徒,在其帮助下,重返唐门,打破预言,重掌自己的命运。